The children were John Charles, Maria Louisa, Charles Golding, Isobel, Emma, Alfred, and Lionel. In his youth, Constable embarked on amateur sketching trips in the surrounding Suffolk and Essex countryside, which was to become the subject of a large proportion of his art. The oil sketches of The Leaping Horse and The Hay Wain, for example, convey a vigour and expressiveness missing from Constable's finished paintings of the same subjects. [26] Constable was determined to paint on a larger scale, his objective not only to attract more attention at the Royal Academy exhibitions but also, it seems, to project his ideas about landscape on a scale more in keeping with the achievements of the classical landscape painters he so admired. Maria pointed out to John that a penniless marriage would detract from any chances he had of making a career in painting. John Constable was born in East Bergholt, a village on the River Stour in Suffolk, to Golding and Ann (Watts) Constable. Only Charles Golding Constable produced offspring, a son. [29] The White Horse marked an important turning point in Constables career; its success saw him elected an associate of the Royal Academy[30] and it led to a series of six monumental landscapes depicting narratives on the River Stour known as the six-footers (named for their scale). Delphi Classics. . In 1811 he first visited John Fisher and his family in Salisbury, a city whose cathedral and surrounding landscape were to inspire some of his greatest paintings. [47] After the birth of their seventh child in January 1828, they returned to Hampstead where Maria died on 23 November at the age of 41. Research genealogy for John Constable of Halsham, East Riding, Yorkshire, as well as other members of the Constable family, on Ancestry. In a series of lectures at the Royal Institution, Constable proposed a three-fold thesis: firstly, landscape painting is scientific as well as poetic; secondly, the imagination cannot alone produce art to bear comparison with reality; and thirdly, no great painter was ever self-taught. Search All Records ; Census & Electoral Rolls ; . Delphi Collected Works of John Constable (Illustrated) (Masters of Art Book 17) (p. 15). Upon hearing that his decision may well be the end of his career, John wrote to John Dunthorne, detailing his intentions of becoming a landscape artist. In his lifetime, Constable sold only 20 paintings in England, but in France he sold more than 20 in just a few years. Although expected to take over the family's diverse businesses operating grain mills, a corn merchants, and small shipping, he started sketching and painting during his youth. Constable's art inspired not only contemporaries like Gricault and Delacroix, but the Barbizon School, and the French impressionists of the late nineteenth century. John Constable was born on 11 June 1776 in a small village in Suffolk, England. In 1816, John's father passed away, leaving him a sizeable amount of money in his inheritance. [6] Constable's usual subjects, scenes of ordinary daily life, were unfashionable in an age that looked for more romantic visions of wild landscapes and ruins. Their marriage in 1816 when Constable was 40 was opposed by Maria's grandfather, Dr Rhudde, rector of East Bergholt. He was educated at Dedham Grammar School, then worked for his father's business. [57] In this habit he is known to have been influenced by the pioneering work of the meteorologist Luke Howard on the classification of clouds; Constable's annotations of his own copy of Researches About Atmospheric Phaenomena by Thomas Forster show him to have been fully abreast of meteorological terminology. John and Maria were married in the Church of St Martin in the Fields in London in 1816. It was John Smith that urged John to stay in his father's business whilst advising him on painting. To the sky studies he added notes, often on the back of the sketches, of the prevailing weather conditions, direction of light, and time of day, believing that the sky was "the key note, the standard of scale, and the chief organ of sentiment" in a landscape painting. Constable painted many full-scale preliminary sketches of his landscapes in order to test the composition in advance of finished pictures. Connect to the World Family Tree to find out, June 11 1776 - East Bergholt, Suffolk, England, Mar 31 1837 - Bloomsbury, London, England, ble, Charles Golding Constable, Isabel Constable, Emily Constable, Alfred Abram Constable, Lionel Bicknell Constable, John Charles Constable, Golding Constable, Ann Constable (born Watts), Maria Elizabeth Constable (born Bicknell), ble, Maria Louisa Constable, Charles Golding Constable, Isabel Constable, Emily Constable, Alfred Abram Constable, Lionel Bicknell Constable, Ann Constable, Martha Whalley (born Constable), Golding Constable, Mary Constable, Abram Constable, June 11 1776 - East Bergholt, United Kingdom, Suffolk, United Kingdom, Mar 31 1837 - Charlotte Street, United Kingdom, Charles Golding Constable, Lionel Bicknell Constable, John Constable - History & purchase prints, John Constable - biography (Howling Pixel). Golding had been born intellectually impaired, so the expectation of a son taking over the family business had fallen onto John. [49], Thereafter, he dressed in black and was, according to Leslie, "a prey to melancholy and anxious thoughts". On 7 October 1822 he told Fisher that he had recently made 'about 50 carefull studies of skies tolerably large' (JCC VI, p.98). Please enable JavaScript in your browser's settings to use this part of Geni. John Constable was born on 11 June 1776 in East Bergholt in Suffolk, the son of a prosperous miller. He required villages, churches, farmhouses and cottages.[19]. In 1803 he spent almost a month aboard the East Indiaman ship Coutts as it visited south-east ports, and in 1806 he undertook a two-month tour of the Lake District. Flatford Mill (Scene on a Navigable River), Salisbury Cathedral from the Bishop's Grounds, Portrait of Maria Bicknell, Mrs. John Constable, Weymouth Bay: Bowleaze Cove and Jordon Hill, Harwich- The Low Lighthouse and Beacon Hill, The Grove, or the Admiral's House in Hampstead, The Opening of Waterloo Bridge seen from Whitehall Stairs, 18 June 1817, Cenotaph to the Memory of Sir Joshua Reynolds, Random House Webster's Unabridged Dictionary, National Gallery of Art: Constable's Great Landscapes, Sothebys: Landscapes of Constable Country, New York Times: Constables Great Landscapes, National Gallery: The Hay Wain - Description, "Unearthed John Constable drawings sell for 92k Addison Gazette", "John Constable sketches found among box of dusty drawings by son of playwright during clearout", "John Constable's Stour Valley location mystery solved", "Two Donkeys by John Constable (inv. Brother of Ann Constable. Holmes, Charles John (1901), Constable, The Sign of the Unicorn, VII Cecil Court, St.Martin's Lane, London. Later, in 1807 . John and Maria were married for 12 years, and for most of those Maria was pregnant. 2004-09-23. The Constable tomb He began to deliver public lectures on the history of landscape painting, which were attended by distinguished audiences. Bridge Cottage is a National Trust property, open to the public. [3], John had two older sisters, Ann (1768) and Martha (1769) and an older brother Golding (1774), and one younger sister Mary (1781) and one younger brother Abram (1783). Constable said, "Lucas showed me to the public without my faults", but the venture was not a financial success.[51]. [13] Later, while visiting relatives in Middlesex, he was introduced to the professional artist John Thomas Smith, who advised him on painting but also urged him to remain in his father's business rather than take up art professionally. Agnes CONSTABLE He was hesitant and indecisive, nearly fell out with his engraver, and when the folios were published, could not interest enough subscribers. One of the most expressionistic and powerful of all his studies is Seascape Study with Rain Cloud, painted about 1824 at Brighton, which captures with slashing dark brushstrokes the immediacy of an exploding cumulus shower at sea. The final version, now part of the Frick Collection in New York, was first exhibited in 1819 at the Royal Academy and was the beginning of a series of works that became famously known as the "six-footers" for their grand size. By 1803, he was exhibiting paintings at the Royal Academy. Son and heir to Sir John Constable and Margaret Umfreville, daughter of Sir Thomas. Although he had scraped an income from painting, it was not until 1819 that Constable sold his first important canvas, The White Horse, which led to a series of "six footers", as he called his large-scale paintings. More information about project management is at. Famous Kin Surname Index. He turned down the offer much to the dismay of Benjamin West who was then master of the Royal Academy. If you have any objections, let me know, and otherwise I'll assume it's ok to go ahead. One of the most expressionistic and powerful of all his studies is Seascape Study with Rain Cloud, painted about 1824 at Brighton, which captures with slashing dark brushstrokes the immediacy of an exploding cumulus shower at sea. Sir John Constable Born about 1388 in Yorkshire, England Ancestors Son of William Constable and Elizabeth (Metham) Constable Brother of Robert Constable Husband of Margaret (Umfreville) Constable married before 26 Apr 1423 in England Descendants Father of Elizabeth (Constable) St Quintin , John Constable and Agnes (Constable) Skipwith Sir George's mother lived in Dedham, and it was on this day when he visited her, that John was introduced to him and showed him some of his pen and ink sketches. In 1802 he refused the position of drawing master at Great Marlow Military College (now Sandhurst), a move which Benjamin West (then master of the RA) counselled would mean the end of his career. [41], Constables pleasure at his own success was dampened after his wife started displaying symptoms of tuberculosis. Portraits by the artist as a young man: Constable's parents finally identified, https://en.wikipedia.org/w/index.php?title=John_Constable&oldid=1126217502, This page was last edited on 8 December 2022, at 04:41. He had recently had an argument with John's father and his feelings were that John and his family were of a lower social status than he was, and therefore the marriage was out of the question. [43] During this period Constable split his time between Charlotte Street in London and Brighton. "The world is wide", he wrote, "no two days are alike, nor even two hours; neither were there ever two leaves of a tree alike since the creation of all the world; and the genuine productions of art, like those of nature, are all distinct from each other."[55]. (Constable of Yorkshire ) de Halsham (1428 - 1477) Try FREE for 14 days Try FREE for 14 days. We collect and match historical records that Ancestry users have contributed to their family trees to create each person's profile. Research genealogy for Amanda (Constable) Fox of Ohio, United States, as well as other members of the (Constable) Fox family, on Ancestry. The Cornfield (1826)Constable quietly rebelled against the artistic culture that taught artists to use their imagination to compose their pictures rather than nature itself. Source Wikimedia Commons. It was exhibited at the Paris Salon of 1824, winning a gold medal. The largest collection of original Constable paintings outside London is on display at Christchurch Mansion in Ipswich. Around 1792, Constable entered the family corn business but was sketching constantly in the meantime. Ann is the daughter of Hugh Constable (1667 - 1715) and Ann (Taylor) (1675 -1740). However she feared that painting landscapes would not provide him with enough money to live, so she encouraged him to paint portraits. [7] He was a cousin of the London tea merchant, Abram Newman. Father of Charles Golding Constable; John Constable; Maria Lousia Constable; Charles Golding Constable; Isobel Constable and 3 others; Emily Constable; Alfred Constable and Lionel Constable less In 2019 two drawings by Constable were unearthed in a dusty cardboard-box filled with drawings; the drawings sold for 60,000 and 32,000 at auction. When his wife Maria died on 23 November at the age of 41 from tuberculosis, Constable dressed in black and was, according to his friend and biographer, Charles Leslie, "a prey to melancholy and anxious thoughts". [46] Constable also became interested in painting rainbow effects, for example in Salisbury Cathedral from the Meadows, 1831, and in Cottage at East Bergholt, 1833. He wrote: By 1803 John Constable was exhibiting paintings at the Royal Academy. for the Constable family; bequeathed by Isabel Constable to the National Gallery 1888, as the gift of Maria Louisa, Isabel and Lionel Bicknell Constable; transferred to the Tate Gallery 1957. The sketches themselves were the first ever done in oils directly from the subject in the open air. [35] The Hay Wain was later acquired by the collector Henry Vaughan who donated it to the National Gallery in 1886. Login to find your connection. First Ladies. In 1802 he refused the position of drawing master at Great Marlow Military College, a move which Benjamin West (then master of the RA) counselled would mean the end of his career. His final lecture was in 1836. in by C.R. Find the obituary of John W. Constable (1936 - 2020) from Amelia, OH. The Family was added by Anthony Turtle to try and find a link to his wife's family. Frick Collection, New York City, Chain Pier, Brighton, 182627, oil on canvas, Tate Britain, London, The Opening of Waterloo Bridge seen from Whitehall Stairs, 18 June 1817, oil on canvas, c. 1832. John Constable's Correspondence. His most famous paintings include Dedham Vale of 1802 and The Hay Wain of 1821. He made his will on 1 September, and died on 29 October . Flatford Tea-room We encourage you to research and examine these records . [6]. John Constable (1776-1837) Tate Constable was born in 1775 into a successful family of corn millers, owners of Flatford Mill and Dedham Mill on the River Stour, Suffolk. Delphi Classics. John Constable was born in East Bergholt, a village on the River Stour in Suffolk, to Golding Constable, a wealthy corn merchant and Ann (Watts) Constable. A key event, when it is remembered that landscape would become the primary subject of the . William Constable, of Burton Constable in the East Riding of Yorkshire, died in 1791. We encourage you to research and examine these records . John Constable RA (/ k n s t b l, k n-/; 11 June 1776 - 31 March 1837) was an English landscape painter in the Romantic tradition. She married Sir Roger Cholmley, of Roxby, of Pickering Castle, Steward of Honour Cholmley in 1512, in Bletchingley, Surrey, England, United Kingdom. Delacroix repainted the background of his 1824 Massacre de Scio after seeing the Constables at Arrowsmith's Gallery, which he said had done him a great deal of good. Free Shipping & Returns. Therefore Hugh could not have been Golding's father. Constable shows the mill in shadow, while shafts of sunlight play . His father was a wealthy corn merchant, owner of Flatford Mill in East Bergholt and, later, Dedham Mill in Essex. The Cornfield is an oil painting by the English artist John Constable, completed from January to March 1826 in the artist's studio.The painting shows a lane leading from East Bergholt toward Dedham, Essex, and depicts a young shepherd boy drinking from a pool in the heat of summer.The location is along Fen Lane, which the artist knew well. [34] Fisher bought the painting for his solicitor and friend, John Pern Tinney. The sea at Weymouth and Brighton stimulated Constable to develop new techniques of brilliant colour and vivacious brushwork. "He was undoubtedly one of those painters of the Romantic tradition who perceived the natural world with a heightened intensity through wakefulness as a natural state"[7]. In 1821, John was elected an Associate of the Royal Academy, and he exhibited The Hay Wain there. The works of art depicted here do not by any means value one above the other or are intended as his complete works. Constable, an English Romantic painter whose landscapes are among the most famous in British art, was a pioneer of open-air painting. Traditionally John has been assigned two wives: one name unknown, followed by a 2nd named Tamsen [or variation]. Burial. They add depth, richness, beauty, and the kind of natural structure that inspired the likes of Emily Carr, Cezanne, and English painter John Constable. Helmingham Hall and its park were the property of the Tollemache family, the Earls of Dysart. Delphi Collected Works of John Constable (Illustrated) (Masters of Art Book 17) (p. 15). John was baptized on month day 1808, at baptism place. In his youth, Constable embarked on amateur sketching trips in the surrounding Suffolk and Essex countryside, which was to become the subject of a large proportion of his art. Among works that particularly inspired him during this period were paintings by Thomas Gainsborough, Claude Lorrain, Peter Paul Rubens, Annibale Carracci and Jacob van Ruisdael. We collect and match historical records that Ancestry users have contributed to their family trees to create each person's profile. [32] This both helped him out of a financial difficulty and nudged him along to get the painting done. [14] He also read widely among poetry and sermons, and later proved a notably articulate artist. He persuaded. Just one grandparent can lead you to many [G Reynolds, 1973, p. 135] They absorb carbon dioxide and purify the air, dampen noise . Dates other than birth, marriage and death dates, included here may be subject to a difference of opinion, but wherever possible, the concensus of opinion has been used. Delphi Classics. Constable's most famous paintings include Wivenhoe Park (1816), Dedham Vale (1821) and The Hay Wain (1821). To the sky studies he added notes, often on the back of the sketches, of the prevailing weather conditions, direction of light, and time of day, believing that the sky was "the key note, the standard of scale, and the chief organ of sentiment" in a landscape painting. Three weeks before their marriage, Constable revealed that he had started work on his most ambitious project to date[25] In a letter to Maria Bicknell from East Bergholt, he wrote: I am now in the midst of a large picture here which I had contemplated for the next exhibition[25], The picture was Flatford Mill (Scene on a Navigable River). Of Constable's colour, Delacroix wrote in his journal: "What he says here about the green of his meadows can be applied to every tone". John was born in May 1782, in Lindfield, Lindfield, England. [4] Constable served as Sheriff of Yorkshire in 1557-8. [52] He died on the night of 31 March 1837, apparently from heart failure, and was buried with Maria in the graveyard of St John-at-Hampstead Church in Hampstead in London. The power of his physical effects was sometimes apparent even in the full-scale paintings which he exhibited in London; The Chain Pier, 1827, for example, prompted a critic to write: "the atmosphere possesses a characteristic humidity about it, that almost imparts the wish for an umbrella". Born in Suffolk, known principally for his landscape paintings of Dedham Vale, the area surrounding his homenow known as "Constable Country"which he invested with an intensity of affection. In 1825, perhaps due partly to the worry of his wife's ill-health, the uncongeniality of living in Brighton ("Piccadilly by the Seaside"[13]), and the pressure of numerous outstanding commissions, he quarrelled with Arrowsmith and lost his French outlet. [23] He could never have imagined how influential his honest techniques would turn out to be. View more Listen. John CONSTABLE of Halsham (Sir Knight) 4. Display caption. The oil sketches of The Leaping Horse and The Hay Wain, for example, convey a vigour and expressiveness missing from Constable's finished paintings of the same subjects. [45] In a letter to Fisher in 1824 he wrote, The magnificence of the sea, and its (to use your own beautiful expression) everlasting voice, is drowned in the din & lost in the tumult of stage coaches - gigs - flys &c. -and the beach is only Piccadilly (that part of it where we dined) by the sea-side.[45]. His father was a wealthy corn merchant, owner of Flatford Mill in East Bergholt and, later, Dedham Mill in Essex. To convey the effects of light and movement, Constable used broken brushstrokes, often in small touches, which he scumbled over lighter passages, creating an impression of sparkling light enveloping the entire landscape. John and Maria's marriage in October 1816 at St Martin-in-the-Fields (with Fisher officiating) was followed by time at Fisher's vicarage and a honeymoon tour of the south coast. Maria pointed out to John that a penniless marriage would detract from any chances he had of making a career in painting. Constable collaborated closely with the talented mezzotinter David Lucas on 40 prints after his landscapes, one of which went through 13 proof stages, corrected by Constable in pencil and paint. Leslie at 52.10s. This sketch of it, showing Dedham church to the right, was probably painted on the spot during Constable's long holiday with his wife Maria in Suffolk in 1817. We encourage you to research and examine these . Skip Ancestry . His work was embraced in France, where he sold more than in his native England and inspired the Barbizon school. Their marriage in 1816 when Constable was 40 was opposed by Maria's grandfather, Dr Rhudde, rector of East Bergholt. Abram Newman and John Constable are close cousins, but not the same generation. I have not endeavoured to represent nature with the same elevation of mind with which I set out, but have rather tried to make my performances look like the work of other menThere is room enough for a natural painter. His work was embraced in France, where he sold more works than in his native England and inspired the Barbizon school. Prov: Executors of John Constable, sold Foster and Sons 16 May 1838 (54, 'Flatford Mills, Horse and Barge'), bt. Only Charles Golding Constable produced offspring, a son. Geni requires JavaScript! The average age of a Constable family member is 68. John Constable RA (/knstbl, kn-/;[1] 11 June 1776 31 March 1837) was an English landscape painter in the Romantic tradition. [32] The painting was a success, acquiring a buyer in the loyal John Fisher,[33] who purchased it for 100 guineas, a price he himself thought too low. From 1809, his childhood friendship with Maria Elizabeth Bicknell developed into a deep, mutual love. John Constable - The Complete Works - Biography john-constable.org. The series also includes Stratford Mill, 1820 (National Gallery, London); The Hay Wain, 1821 (National Gallery, London); View on the Stour near Dedham, 1822 (Huntington Library and Art Gallery, Los Angeles County); The Lock, 1824 (Private Collection); and The Leaping Horse, 1825 (Royal Academy of Arts, London). During July 1816, about three months before their wedding, John painted a portrait of Maria. The new building was to be more than just a repository for the remains of generations of Constables, it was . When he left school, John, as expected, worked with his father in the family business. He is best known for his paintings of the English countryside, particularly those representing his native valley of the River Stour, an area that came to be known as "Constable country." The son of a wealthy miller and . When he became of the age to enter grammar school, he was enrolled on a day basis in Dedham Grammar School. London, 1971, pl. Thodore Gricault saw it on a visit to London and praised Constable in Paris, where a dealer, John Arrowsmith, bought four paintings, including The Hay Wain. Family-friendly Walking Places to eat Outdoor activities Christmas What's on 50 things Weddings Back Coast & beaches Gardens & parks Houses & buildings Castles & forts Countryside & woodland Back See what you can discover and learn History Nature Gardening tips Food Crafts Virtual visit Film & TV Back Find out about our cause Nature & climate He did not become a member of the establishment until he was elected to the Royal Academy at the age of 52. Born in 1776 John Constable lived the first 23 years of his life in East Bergholt. During their three years in Hampstead, John painted about one hundred studies of cloud formations, the technique of which was to be used in future landscapes. He was never satisfied with following a formula. [28], The following year, his second six-footer Stratford Mill was exhibited. Sheriff of Lincolnshire. John Constable, RA (/knstbl kn-/;[2] 11 June 1776 31 March 1837) was an English Romantic painter. Although John was studious as a scholar, like Gainsborough before him, his love was painting the landscapes around his home. [33] A small painting of Yarmouth Jetty was added to the bargain by Constable, with the sale totalling 250. As a gesture of appreciation for John Fisher, the Bishop of Salisbury, who commissioned this painting, Constable included the Bishop and his wife in the bottom left corner. In 1407, he was Constable of Norham Castle and Sheriff and Escheator of Norhamshire (an exclave of County Durham) and Islandshire (an exclave of County Palatinate of Durham) in the north of England. John Constable III. Categories: England Managed Profiles, Post-1700 | Painters | English Artists | East Bergholt, Suffolk | Dedham, Essex, WIKITREE HOME | ABOUT | G2G FORUM | HELP | SEARCH. Both had mothers who recognised their talent at a young age, and encouraged and nurtured their young sons to fulfill their dreams. Enter a grandparent's name. During those times, it was typical that the oldest son would take charge of the family business once their father was no longer able to work. It would become the PM and we could then all collaborate on the profile together. In a series of lectures at the Royal Institution, Constable proposed a three-fold thesis: firstly, landscape painting is scientific as well as poetic; secondly, the imagination cannot alone produce art to bear comparison with reality; and thirdly, no great painter was ever self-taught. ed. He was a Member of Parliament (MP) for Yorkshire in March and October 1553 and perhaps in 1555. , To make ends meet, Constable took up portraiture, which he found dull, though he executed many fine portraits. Historical Person Search Search Search Results Results Elizabeth Constable (1688 - 1740) . Research genealogy for John Constable of Capel, Surrey, England, as well as other members of the Constable family, on Ancestry. The wedding was quiet with no members of either family attending. After a brief period at a boarding school in Lavenham, he was enrolled in a day school in Dedham. This period saw his art move from the serenity of its earlier phase, to a more broken and accented style. His family were well off. Maria Bicknell, painted by Constable in 1816 From 1809, his childhood friendship with Maria Bicknell developed into a deep, mutual love. Eleanor Constable (d.1525), who married firstly John Ingleby of Ripley, Yorkshire. [35] It was eventually purchased, along with View on the Stour near Dedham, by the Anglo-French dealer John Arrowsmith, in 1824. Hi all, the England Project would like to take on the management of Constable's profile. In 1835, his last lecture to students of the Royal Academy, in which he praised Raphael and called the Academy the "cradle of British art", was "cheered most heartily". John Constable III. River Stour East Anglian river meandering through Flatford Hamlet, with riverside seating, launching for water craft and walking paths. Archivist Sheila Reid reveals that, following family tradition, Golding Deeks took his unusual moniker from his mother's maiden name - a trait shared by the father of renowned painter John Constable. Later, while visiting relatives in Middlesex, he was introduced to the professional artist John Thomas Smith, who advised him on painting but also urged him to remain in his father's business rather than take up art professionally. He told his friend and biographer, Charles Leslie, that the solitude of the mountains oppressed his spirits, and Leslie wrote: His nature was peculiarly social and could not feel satisfied with scenery, however grand in itself, that did not abound in human associations. IMPORTANT PRIVACY NOTICE & DISCLAIMER: YOU HAVE A RESPONSIBILITY TO USE CAUTION WHEN DISTRIBUTING PRIVATE INFORMATION. He was the second son, and fourth of six children born to Golding Constable and his wife Ann Watts. [54], Although Constable produced paintings throughout his life for the "finished" picture market of patrons and R.A. exhibitions, constant refreshment in the form of on-the-spot studies was essential to his working method. Now John could afford to support a wife and family, and he and Maria decided they had endured enough and that they would indeed marry regardless of the possibility of Maria being disinherited.

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